Ana Dinger is a PhD Candidate in Culture Studies at the Faculty of Human Sciences from the Catholic University of Portugal and researcher affiliated with CECC (Research Centre for Communica-tion and Culture).
Her investigation is focused on strategies of perpetuation of performance-based artworks and is developed with a fellowship by FCT (Portuguese Foundation for Science and Technology). Holding a degree in Sculpture by the Faculty of Fine-Arts (Lisbon University) and a post-graduation in Contemporary Art by the Catholic University of Portugal, she also has training in dance, having completed the first year of the Superior School of Dance (2003/2004) and the Choreographic Research and Creation Course of ForumDança (2003, Porto).

abstract