In media studies it is often argued that the emergence of new media inevitably leads to anxieties among devotees of old media who suspect that these media become irrelevant: photography menaces painting, film executes photography, tv menaces film, and the Internet finishes everything else. The printed book is no exception from this logic. Long before the invention of ebooks and Open access, various prophets predicted the decline of the Gutenberg Galaxis. Even without subscribing to such apocalyptic visions, we can not overlook the fact that the humanistic book has come under pressure. Being the unquestioned and primordial scientific medium in the 20th century, an assembly of habituations and practices has shifted within a few years. That implies institutions of advanced studies, publishers, research communities and the scholars themselves. The question, thus, is:  Which role will the printed book play within and without the humanities?

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